WVU School of Art and Design Assistant Professor Terese Giobbia, art education major Alexandra Miller and alumna Paige Fronczek all received awards during WVAEA’s annual conference.
Giobbia was awarded the association’s West Virginia Distinguished Service Within the Profession Award. She was selected for the award by WVAEA members for her dedicated commitment to the organization.
The Art Museum of West Virginia University welcomes two new works of art to the permanent collection, thanks to funds awarded by the International Fine Print Dealers Association Foundation.
The Richard Hamilton Acquisition Prize is an annual program through IFPDA Foundation, funded by Champion & Partners, that provides $10,000 for a museum’s acquisition of one or more prints from any period at the IFPDA Fine Art Print Fair.
In the field of arts and art history, travel is considered a necessity. It allows art professionals to gain inspiration, learn from others in the industry and visit important site and museums around the world. For students, travel is a vital piece of their education as it allows them to acquire perspective and discover where they may one day fit in the art industry or other professional fields. At West Virginia University, the School of Art & Design encourages students to find their place through the Global Positioning Studies initiative.
Beloved by so many, Tonya Cesa was a 20-year-old West Virginia University sophomore when she tragically died in a car accident in 2018. Now, her family is honoring her by creating the Tonya R. Cesa Creative Arts Photography Travel Endowment.
“Tonya was full of life, just a really great person,” said Ed and June Cesa, Tonya’s parents. “She was a good student who cherished her faith and family.”
Kristina Olson, associate director of the West Virginia University School of Art & Design, has published a new book titled “Social Practice Art in Turbulent Times” with co-editor Eric J. Schruers.
“I was contacted by an editor with Routledge Publishing about doing a book for their ‘Art and Politics’ series based on a paper I gave at a national conference,” Olson said. “I knew that I wanted it to be a collection of essays by art historians writing about social practice art to make it a well-rounded and lively analysis of the topic.”